Auralex Makes Its Debut at the 2011 NAB Show with Full Line of Acoustical Products

Company will Showcase a Range of Products including its Studiofoam®, Studiofoam®Pro and ProPanel™ Lines

LAS VEGAS, APRIL 7, 2011 – Auralex® Acoustics, Inc., the industry leader in innovative sound control solutions, is making its debut into the broadcast market at the 2011 NAB Show (Booth SL8810) with a full line of acoustical products catered to a range of broadcast spaces such as production facilities, control rooms and voiceover booths. Auralex will showcase its best-selling lines of Strong>Studiofoam®, Studiofoam®Pro and ProPanel™ product lines, which were previously marketed to the pro audio and music industry markets. (more…)

Vaddio Previews New PTZ Camera, Multiviewer and Squiggle IP at NAB 2011

Stop by the Vaddio Booth – C8808 – at the entrance of Hall C at this year’s NAB show in Las Vegas, April 11 – 14, 2011. Debuting for the first time in the US, Vaddio will be showcasing the new ClearVIEW HD-20 PTZ Camera, ProductionVIEW HD MV Multiviewer, with TeleTouch touch screen monitors, and the Squiggle IP Software Module.

“At NAB this year we will be showcasing a lot of different content creation solutions that really simplify the process of creating content,” explains President of Vaddio, Rob Sheeley. “As our industry continues to be transformed by the diversity of content distribution options available, these options are at the same time allowing more organizations the ability to host and post their own programming. So at our booth we will be featuring live content creation stations that focus on education, corporate and house of worship solutions that allow a (more…)

Practicing Guitar: A Labor of Love

“Some of us want to be the next great guitar god, some are happy just sitting at home jamming along with the radio”

DIFFERENT STROKES TO RULE THE WORLD!

Practicing is different things to different people. Some people progress faster than others. Some have as they say, a “natural gift,” while others labor away hour after hour, week after week, month by month and only progress a little at a time. But no matter what, if you want to improve and get better, you have to put the hours in and practice. Now again, this is going to be different for all of us, since some of us want to be the next great guitar god, and some of us are happy just sitting at home jamming along with the radio, creating our own melodies, or whatever. We are all on different levels due to the time we put into it. I recently asked several guitar players of various skill levels questions about their practice routines and the time they have committed sharpening their skills. Here’s what I learned….

HOW MANY STRUMS DOES IT TAKE?

For the most part, the professional guitar players I questioned had a few things in common. Each had put in countless hours practicing to develop their skills and style. Playing till their fingers bled (really!), playing 10+ hours a day, every day, were typical responses. Most had come up with their own unique way of practicing. Some had developed different techniques to create their own sound, while others used different tunings. Some had taken lessons early on while others did not. Most felt that they had learned much of what they knew on their own through the dedication and countless hours spent practicing. Most also started creating their own music not long after starting to play the guitar. And while these individuals no longer spend 10+ hours a day practicing, it is very typical that they spend at least a few hours daily playing/practicing. Comparing it to the need to breathe, or (something I feel myself), the days I don’t play, I feel like something was missing or out of place.

LET THIS BE A LESSON TO YOU

Still, others have different practice routines. Some are limited to how much time they put into practicing/playing due to, well let’s face it…. Life! We all have different priorities. Not everyone can devote 10+ hours a day into playing/practicing guitar. A couple of different players I asked told me that they practice whenever they get the chance. Which varied as much as a few times a week to maybe once a month. Weekly lessons are an avenue some take (myself included) to improve our skills. But, even with lessons, if you don’t practice what you learned, you don’t get anything out of it.

IT’S NOT WORK WHEN YOU’RE HAVING FUN

Something that nearly all of the guitar players I questioned had in common….most felt like they were never really practicing. They all had an inner passion that drove them. Some to create, some the need to express themselves. While others just wanted to be able to play their favorite songs, or maybe even just to impress the hot girl down the street! Another thing many had in common… no matter how much they practiced/learned or played, there was always going to be more to learn. Another cool riff to work out, another driving rhythm or beautiful melody to discover. Which is something you can probably say about any musical instrument. But we are guitar players. Whether or not you view it as practicing or just playing it is a labor of love…. it’s what we do!

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Electrosonic Enhances New Galleries in London’s Museum of the Order of St. John

Museum of the Order of St. JohnModern-day AV support combines with ten centuries of history in new galleries at the Museum of the Order of St. John, where AV hardware installed by Electrosonic helps visitors interpret exhibits and learn about the Order’s unique story.

The London-based museum is located in the circa 1500 St. John Gate entrance of the English headquarters of the crusading Knights Hospitallers. It traces the Order’s origin in 11th century Jerusalem and its rich history interwoven with such figures as Henry VIII, Elizabeth I, Suleiman the Magnificent, William Shakespeare, William Hogarth and Dr. Samuel Johnson. The museum also brings visitors up to date with the Order’s two leading charities: St. John Ambulance, England’s leading first-aid provider and training organization, and the St. John Eye Hospital in Jerusalem.

A recent £3.7 million redevelopment showcases the museum’s rich and diverse (more…)

Schecter Guitar Research Hellraiser Special C-7 FR Electric Guitar See-thru-Black

Schecter Guitar Research Hellraiser Special C-7 FR Electric Guitar See-thru-Black
$749.00
A drop-tuned slaying machine with all the necessary elements at a bargain price.
Schecter Guitar Research Hellraiser Special C-7 FR Electric Guitar See-thru-Black

Epiphone Tribute Les Paul Standard Electric Guitar Faded Cherryburst, 1960s Neck 889406682276

Epiphone Tribute Les Paul Standard Electric Guitar Faded Cherryburst, 1960s Neck 889406682276
$599.20
Honoring a guitar great and a great guitar.
Epiphone Tribute Les Paul Standard Electric Guitar Faded Cherryburst, 1960s Neck 889406682276

Epiphone Tribute Les Paul Standard Electric Guitar Faded Cherryburst 1960s Neck

Epiphone Tribute Les Paul Standard Electric Guitar Faded Cherryburst 1960s Neck
$749.00
Honoring a guitar great and a great guitar.
Epiphone Tribute Les Paul Standard Electric Guitar Faded Cherryburst 1960s Neck

“JBL PRX618S-XLF High Performance 18″” Subwoofer System Standard”


$1,299.00
Light on weight, heavy on sound with 1000W of bangin’ sub-bass boom.
“JBL PRX618S-XLF High Performance 18″” Subwoofer System Standard”

Roland TD-12KX V-Stage Series Drumset Standard

Roland TD-12KX V-Stage Series Drumset Standard
$3,999.00
Sound Generator: Variable drum modeling. 64-voice polyphony. Over 500 drum instruments. 262 backing instruments. 50 drum kits. 16 chains (32 steps per chain). Instrument parameters: Shell material, shell depth, head type, head tuning, muffling, strainer adjustment, snare buzz level, beater type, cymbal size, sizzle, tambourine (hi-hat), mic position, plus editable pitch and decay. Ambience parameters: Room type, room size, wall type, mic position, room shape. Mixer parameters: Volume, pan, minimum volume, output assign. Effects types: Pad equalizer (each pad), pad compressor (each pad), multi-effects, reverb (for backing part). 8 percussion sets. Sequencer: 100 user patterns, 150 preset patterns, 6 parts. Play functions: One shot, loop, tap, tempo: 20-260, resolution: 192 ticks per quarter note. Recording method: realtime. Maximum note storage: approximately 20,000. 20-click instruments. 12 trigger input jacks. Hi-hat control jack. Master output jacks (L/Mono, R). Di
Roland TD-12KX V-Stage Series Drumset Standard