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Through the history of recorded music the cover artwork on a CD or LP has always been an important part of the finished product, and in the pop world in particular, there are have been some truly legendary and iconic designs – just think of Abbey Road, The Dark Side of the Moon, Sgt. Pepper and Nirvana’s Nevermind. The fact I don’t feel a need to post pictures of these to remind readers is a testament to the way their cover art has entered the popular conciousness.
It has to be said though that classical music hasn’t done so well with its cover art (though do feel free to tell us about any of your favourite covers) and it’s probably easier to find some really bad cover art than anything really distinctive. There are some exceptions of course (two of my favourites being the Virgin Ultraviolet range and Decca’s Argo line, both now out of print, and some more in this blog article) but they are the exception and not the rule.
So when we came to produce the first CD on our OAE Released label we wanted to think long and hard about the artwork. We tasked the designers, Harrison and Co, with coming up with something that would be very ‘OAE’ – distinctive, different, something that would stand out from other CDs and tie in with the Orchestra’s values. Importantly the artwork would need to be a distinctive series – so that while each CD would look different they should also be recognisably from the same stable.
The designers came back with a range of options and there were two frontrunners for us, but we ultimately went with an alphabet theme…in the video below designer Chris talks through the different options he came up with, including the one we eventually picked.
The first CD on OAE Released, Monteverdi’s 1610 Vespers is out now and can be bought through our website.
William Norris, Communications Director
As you know we’re currently very keen on being green here at the OAE. It’s even extended to our recent photoshoot, where we indulged in a bit of recycling.
One of the ideas for next season’s photoshoot was to use white cut outs of instruments as we thought the projections would work better on them than real instruments. Rob, from designers Harrison & Co, had spent a long time making some fantastic cut outs of all the possible instruments we would need. However, after a few test shots this idea was ditched and we decided to go with the real thing. The cut outs lay discarded and unloved in the corner…
However during a break between photographing players the designers Chris and Rob and photographer Eric had a bit of a play with the cut outs and with the aid of some nifty lighting and what looks like some fishing line they made some really interesting shots.
The pictures didn’t really fit into the theme of the brochure though, so for a while we thought they might just remain interesting curiosities, destined to live in some far flung corner of the OAE’s server. But then – we came to design a brochure for our week of events at Kings Place, Baroque. Contrasted. and realised the pictures would be perfect. The designers added some colour to the pictures and they look fantastic. Below is a selection of them, and if you’d like to see a virtual brochure with them in you’ll find it here.
William Norris, Communications Director
