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Vic Firth Drummer’s Headphones

Vic Firth Drummer’s Headphones

  • Reduce overall noise levels by 22dB
  • Protection from hearing loss
  • Lightweight construction and padded foam cushions provide maximum comfort
  • Ideal for use in drum practice

The Vic Firth dB22 Isolation Headset is better than foam earplugs: The non-electronic isolation headset was developed solely to protect your hearing. The isolation headset’s lightweight construction and padded foam cushions provide maximum comfort, while also reducing overall noise levels by 22 dB. You get valuable protection from potential damage, making Vic Firth’s DB-22 the ideal practice companion for not only drummers, but any musician who often practices and performsin high volume situatio

List Price: $ 39.25

Price: [wpramaprice asin=”B0002F513E”]

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Zildjian Drummers Survival Kit

Zildjian Drummers Survival Kit

  • Drumhead repair patch
  • Snare strings
  • Felts
  • Cymbal stand sleeves
  • Washers

Don’t leave for the gig (or rehearsal) without the Zildjian Drummers Survival Kit! This great package includes the essentials to get you through the gig. Drumhead repair patch Snare strings Felts Cymbal stand sleeves Washers AmericanMusical.com is an authorized dealer of Zildjian products.

List Price: $ 14.99

Price: [wpramaprice asin=”B0002E37I6″]

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Guitar Zen: Good Times with Odd Times!

As guitarists we are usually up for a challenge, one of the ways I really like to challenge myself is to wrap my head around odd times.

GET INTO THE GROOVE

There are many ways to take a simple riff and syncopate it in order to make it take on a whole new twist. Odd time signatures are not something that should scare off the average musician, after all we are just adding or subtracting beats to make the rhythm shift. The key is to feel the groove of the riff. Whether you are playing in 4, 5 or 7…. what’s going to give presence and power to the riff is getting in the groove. Any riff can be groovy no matter how technically involved it is, but to give it THAT groove, you have to really feel the pulse of the phrase and then give precedence to the 1 or the first note of the beat so that the vibe of the riff is distinguishable.

COUNT ON IT!

As guitarists we tend to count differently than drummers or even bassists because we do things like play a pick-up note, or come in half a bar later when dealing with odd times. Remember that music is a language all it’s own. As long as you emphasize the right notes in the segment, you will achieve the goal you are seeking and then afterward, everything will sync up.

THINKING DIFFERENTLY

Take for instance a simple 4/4 phrase and just chug any chord using quarter notes (CHUG chug chug chug, CHUG chug chug chug). Now lets put a twist on it and add a fifth quarter note then follow it with three quarter notes (so CHUG chug chug chug chug CHUG chug chug). We’ve now effectively played the same number of notes yet we have changed the emphasis of the starting beat. So you can see how (as Mike Myers so non- eloquently put it in the movie A View From The Top) It’s all about putting the right emPHASSIS on the right syLLABLE!

As you can see, shifting the tempo is really a matter of shifting your thinking to accentuate different notes. With this simple concept in mind, anyone can turn Metallica into Meshuggah. So bust a beat and shuffle your feet and once you do you’ll be having GOOD TIMES with ODD TIMES!!!

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