Gibson Custom ES-137 Classic Electric Guitar Tri-Burst Chrome Hardware
$2,049.00
Takes the famous ES-135 to the next level.
Gibson Custom ES-137 Classic Electric Guitar Tri-Burst Chrome Hardware
$2,049.00
Takes the famous ES-135 to the next level.
Gibson Custom ES-137 Classic Electric Guitar Tri-Burst Chrome Hardware
$2,049.00
Takes the famous ES-135 to the next level.
Gibson Custom ES-137 Classic Electric Guitar Silver Chrome Hardware
$2,049.00
Takes the famous ES-135 to the next level.
Gibson Custom ES-137 Classic Electric Guitar Heritage Cherry Sunburst Chrome Hardware
“Some of us want to be the next great guitar god, some are happy just sitting at home jamming along with the radio”
Practicing is different things to different people. Some people progress faster than others. Some have as they say, a “natural gift,” while others labor away hour after hour, week after week, month by month and only progress a little at a time. But no matter what, if you want to improve and get better, you have to put the hours in and practice. Now again, this is going to be different for all of us, since some of us want to be the next great guitar god, and some of us are happy just sitting at home jamming along with the radio, creating our own melodies, or whatever. We are all on different levels due to the time we put into it. I recently asked several guitar players of various skill levels questions about their practice routines and the time they have committed sharpening their skills. Here’s what I learned….
For the most part, the professional guitar players I questioned had a few things in common. Each had put in countless hours practicing to develop their skills and style. Playing till their fingers bled (really!), playing 10+ hours a day, every day, were typical responses. Most had come up with their own unique way of practicing. Some had developed different techniques to create their own sound, while others used different tunings. Some had taken lessons early on while others did not. Most felt that they had learned much of what they knew on their own through the dedication and countless hours spent practicing. Most also started creating their own music not long after starting to play the guitar. And while these individuals no longer spend 10+ hours a day practicing, it is very typical that they spend at least a few hours daily playing/practicing. Comparing it to the need to breathe, or (something I feel myself), the days I don’t play, I feel like something was missing or out of place.
Still, others have different practice routines. Some are limited to how much time they put into practicing/playing due to, well let’s face it…. Life! We all have different priorities. Not everyone can devote 10+ hours a day into playing/practicing guitar. A couple of different players I asked told me that they practice whenever they get the chance. Which varied as much as a few times a week to maybe once a month. Weekly lessons are an avenue some take (myself included) to improve our skills. But, even with lessons, if you don’t practice what you learned, you don’t get anything out of it.
Something that nearly all of the guitar players I questioned had in common….most felt like they were never really practicing. They all had an inner passion that drove them. Some to create, some the need to express themselves. While others just wanted to be able to play their favorite songs, or maybe even just to impress the hot girl down the street! Another thing many had in common… no matter how much they practiced/learned or played, there was always going to be more to learn. Another cool riff to work out, another driving rhythm or beautiful melody to discover. Which is something you can probably say about any musical instrument. But we are guitar players. Whether or not you view it as practicing or just playing it is a labor of love…. it’s what we do!
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Here is the first in a series of guest posts by John F. Crowley about guitars owned by the Beatles. Last year we unleashed a new article each week. If you missed them then, have a look now and check out the guitars that made amazing music and read a bit about the fantastic history!
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Purchased in 1960: 1958 Rickenbacker 325 Capri (5/8 scale, hollow-body electric). Serial No. V81: The Holy Grail of guitars. Lennon bought this “short arm” guitar, with a natural finish, gold pickguard and Kaufmann vibrato, on the Beatles’ first trip to Hamburg, after he saw jazzman “Toots” Thielmans playing a Ric model on an album cover. Later in 1960, in Hessy’s Music, Chris Huston of The Undertakers mounted a Bigsby B-5 vibrato and “bow tie” bridge (for more on this operation, click here). At the same time they replaced the “oven” knobs with new ones from Curry Electronics. Somewhere along the line, Lennon disconnected the middle pickup, and in September ’62 had it painted black. In his well researched piece Baby’s In Black, Peter McCormack tracked the job to a subcontractor, Mr. Derek Adams, and suggests the refinishing was part of Brian Epstein’s effort to spruce up the band’s look. But another source credits the refinish to coach painter Charles Bantam, who reportedly sprayed the Rickenbacker with black coach paint while the band took a brief holiday. Later inspection led Ron DeMarino (below) to speculate the finish had been brushed on! So perhaps we’ll sort out this point in time. At any rate, in ’63 Lennon changed the knobs again when he had some electrical work done by Burns of London.
Lennon played this guitar onstage and in the studio right through to the first Sullivan show (below) and the Carnegie Hall shows (2/12/64), then, except for a bit of work on Beatles For Sale, retired the beat-up workhorse. In 1972 he had it restored to its natural finish by Ron DeMarino of New York, who also replaced the tuners and cracked pickguard. (Read DeMarino’s account here.) This guitar may very well have made its final appearance during the Double Fantasy sessions, as producer Jack Douglas and Yoko Ono both confirm seeing it in the studio. There is also speculation that Lennon used this guitar on Yoko’s “Walking On Thin Ice” in December 1980, the last piece of music to which Lennon contributed. Regardless, as guitar aficionado Frank McLallen wrote: “That guitar . . . from Hamburg to the Plaza in New York City, and a national broadcast on the Ed Sullivan Show — doesn’t get any better.” This priceless instrument, recently displayed at the Lennon museum in Japan, is now owned by Sean Lennon.
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$3,099.99
A customized version of Brian’s 1959 6120!
Gretsch Guitars G6120SSLVO Brian Setzer Signature Nashville Guitar JT08114556
$3,099.99
A customized version of Brian’s 1959 6120!
Gretsch Guitars G6120SSLVO Brian Setzer Signature Nashville Guitar Light Vintage Maple Stain
$3,099.99
Knockout vintage vibe with tone to match!
Gretsch Guitars G6136T White Falcon with Bigsby JT08114865
$72.95
Warm and smooth with great sustain.
Seymour Duncan SH-1 ’59 Model Electric Guitar Pickup White Bridge
$90.95
Warm and smooth with great sustain.
Seymour Duncan SH-1 ’59 Model Electric Guitar Pickup Nickel Bridge