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Get to know the OAE: Part 10

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This week, we chat to Georgina Cooksley about life as an intern with the OAE…

GeorginaWhat’s your role in the OAE office?

I’m the graduate intern so I get to be involved in all parts of the OAE. Mainly I work with the Projects team organizing and planning concerts but I also liaise with the Communications and Development teams and help the Education team with string club (although I can’t actually play the violin…yet.)

What does your typical day involve?

No two days have been the same here and there’s always a new challenge. One morning I had to dash to the Barbican to deliver Sir Simon Rattle his Tristan and Isolde music and another I’m backstage at the QEH catching Nick Logie with the chocolates or giving out flowers on stage. Most days I’m in the office talking to the players’ on the phone, helping Megan with US visas and E101s, drinking coffee, fixing the photocopier and anything that pops up.

Which mobile number do you call the most?

I text message rather than call people, so the number I probably text the most is my friend Amanda. My mum would be a close second and it’s normally for cooking or cleaning advice.

What – or where – is perfection?

Lying on a beach with your feet buried in the sand, listening to the waves roll along the sand.

What’s your favourite ritual?

Oh dear, this is going to sound bad but I would have to say ‘Friday night wine.’ It’s more about celebrating the end of the week and having a chat and a giggle with your friends over wine. It’s especially good if it’s a New Zealand wine.

Who is your favourite hero from fiction (book/comic/film/opera) – and why?

I don’t necessarily know if she’s considered a hero but my favourite opera character is Carmen. There is something about her hedonistic attitude and inner strength that I admire. She also sings my favourite operatic lyric “Love is a rebellious bird that no one can tame … He has never known law. If you don’t love me I love you, if I love you watch yourself!” in the Habanera.

What other talent or skill would you like to possess?

I really wish I could either drive a Formula One car or sing like an opera singer, (preferably like Dame Kiri Te Kanawa).

What do you fear the most?

That one day I will wake up and regret not making the most out of life’s opportunities and forcing myself out of my comfort zone.

What is the most important lesson life has taught you?

That you should always welcome and not be afraid of change. You can plan your life out as much as you like but when you least expect it will shift you into a new direction and out of your comfort zone.

What was the first album you ever bought?

I’m from the Disney generation so my first about was the soundtrack to Beauty and the Beast and I must say that 20 years it’s still on high rotation. Wow, I can’t believe it was that long ago!

What is the most played piece of music on your MP3 player or in your CD collection?

It’s equal first for Amy Winehouse’s Back to Black, Phoenix Love is like a Sunset and Gershwin’s Summertime.

Which OAE concert are you most looking forward to this year?

The Night Shift on 4 May. I love the idea of classical music without the rules and who doesn’t love a good hearty Beethoven Concerto?

What’s been the highlight of your time at OAE so far?

Meeting all the fabulous people in the office and getting to know the musicians…. Oh and working on the Birex reconciliation.

Baroque. Contrasted: final Daily Trivia

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It’s the last day of our hugely exciting trivia section… *sob*

Here are the final titbits for your musical pleasure:

Johann Hermann Schein (1586-1630) was a German composer of the early Baroque era and was afflicted with poor health- his wife died in childbirth; four of his five children died in infancy; he died at age 44, having suffered from tuberculosis, gout, scurvy and a kidney disorder.

Hugh Aston (1485-1558) was an English composer of the early Tudor period. His initial salary at The Newarke (a musical institution in Leicester) was £10 a year, only £2 a year less than that of the Dean. Listen to his Hornpype (which we’re playing on Friday) here.

William Brade (1560-1630) was an English composer, violinist, and viol player of the late Renaissance and early Baroque eras and liked to change jobs frequently- during his career, he moved 13 times!

If you’d like to hear more music from these composers, why not try one of our hour-long concerts at Kings Place?

Concerts start tomorrow night from 6.45pm and more details can be found on our website.

Baroque. Contrasted: Daily Trivia 3

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As promised, here’s another dose of daily trivia for you, featuring some of the lesser known composers we’ll be showcasing this week at Kings Place:

Biagio Marini (1594-1663) was an Italian virtuoso violinist and composer of the first half of the seventeenth century who married three times and had five children.  He was the first composer to notate tremolo (trembling) effects into his music.

Francisco Correa de Araujo (1584-1654) was a notable Spanish organist, composer, and theorist of the late Renaissance as well as a priest.

Orlando di Lasso (1532-1594), a Franco-Flemish composer of the late Renaissance, was rumoured to have been kidnapped three times because of the singular beauty of his singing voice.

More random facts tomorrow!

Baroque. Contrasted: Daily Trivia

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Next week sees the start of our mini-festival at Kings Place, Baroque. Contrasted.

We kick off on 6 April with 5 days of concerts, talks, demonstrations and two chances to join the OAE.  Most of the composers we’ll be featuring should be pretty familiar- Vivaldi, Purcell, Bach-  but we’re also showcasing some of the lesser-known but equally brilliant artists of the time.

Ahead of the opening night, we thought we’d give you a bit of daily trivia on some of these mysterious musicians…

Gottfried Finger (1660-1730) left London in a hurry in 1701 after allegedly being Baroque Contrastedunjustly passed over for a composition prize. He financed his departure with the sale of a set of trio sonatas, of which Op 5 No.10 (which we play on 7 April) is unusually scored for recorder, cello (or bassoon) and continuo.

Alessandro Stradella (1639-1682) was murdered in Genoa just months after penning the wedding cantata Il Barcheggio, probably after an unwitting controversy over a woman (who preferred him to another man – the likely murderer).

Dario Castello (1590-?) has no biographical information at all; even his birth and death dates are unknown, although it is thought he may have died during the great plague of 1630. He was probably associated with St. Mark’s Basilica in Venice, where Claudio Monteverdi was maestro di capella.

For more info on the festival, including a free flippable brochure and details of how to book, visit oae.co.uk/kingsplace

Next time…find out why composer Merula got into trouble…

Pre-concert talk series: No.3 – Rob Cowan talks to David Zinman

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Before the ‘From a Dream to a Revolution’ concert on 08 Feb 2011 at the Queen Elizabeth Hall, David Zinman talked to Radio 3 presenter Rob Cowan about his career, life and recordings and how musical interpretations have changed over the years.

listen to the whole talk below:

http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12530521 Pre-concert talk: David Zinman – 08 February 2011 by OAE